• Helen Adebayo (Isabel Adomakoh Young)

    Young mixed race Cambridge graduate financial analyst, interested in green economics. Helen works for an ethical investment advisory company, and interviews financial industry insiders for her Good Investor podcast.

  • John Hayworth (Sam Price)

    John Hayworth (played by Sam Price). Former East End working class City trader, who has climbed up the ranks in various investment banks, to be a successful high powered broker in the hedge fund Spring Tree Capital, based in Canary Wharf.

  • David Prentice (Bill Garrett)

    David Prentice (played by Bill Garrett, voice narration Simon Pitts). John’s best friend from high school, working class LSX trader, then moves into sales. Ends up one of the senior brokers representing investment bank Wagner. Wagner are representing corrupt Public Private Investment partner Sebvis, who have been commissioned by the UK govt to build a hospital in Tower Hamlets near Canary Wharf.

  • Ruth Hayworth (Ann Marie Sullivan)

    Ruth Hayworth (played by Ann Marie Sullivan, voice narration Olivia Dowd). Former St Martin’s fashion design student, John’s wife and mother of their two children Charlotte and Oliver. John and David both met Ruth at the Star and Garter bar in the City in the late 1980s early in their careers.

  • Spring Tree Capital

    Spring Tree Capital is a non-human actor, a hedge fund.

  • Wagner Bank

    Wagner Bank is a non-human actor, a European investment bank.

  • Sebvis

    Sebvis corp is a non-human actor, a private corporation that offers large scale public infrastructure construction and service provision for outsourced government contracts.

Scene 1: Canary Wharf

Narrator: Its late 2019, a crowded London bar, a young black woman sits opposite a middle aged man wearing a Burberry suit.  Cambridge graduate Helen works for a think-tank that pressures big financial funds to make ethical investments.  She is looking to uncover some of the shadier dealings of hedge funds for her podcast, so she is surprised but excited that John a senior broker from one of London’s biggest hedge funds has agreed to her request to meet. 

They talk late into the evening. The story Helen is after her alludes her, but she is moved by the way John looks at her and listens so intensely.  He seems like a bit of dark horse, a surprisingly sensitive soul. They agree to meet again, so John can tell her more about Spring Tree Capital, his hedge fund, and its corporate culture. At least, they are both happy to pretend that’s why they want to stay in touch.

John: I walk back to Canary Wharf station. Standing on the deserted platform, I feel this new elation inside me. I remember…a different bar, a different time…It was just after the Big Bang – my best mate David and I were toasting Thatcher’s glorious deregulation of the financial markets. This beautiful woman Ruth walked in - we persuaded her with bottles of Moet to join us. I’d forgotten how light I felt, floating on the air of ambition and desire, the future seemed endlessly bright.

Trading in Air (song)

BBC announcer sample:

“Since the ‘60s news from the City has mattered to more and more people.  Nobody makes anything here except money”

John:

How do I explain what’s invisible

But it’s everywhere?

How do I make an honest living

When nothing is fair?

How do I know that I’m normal

When no-one cares?

(when no-one cares)

Chorus (John)

I’m just trading in air

I’m just trading in air

Ruth

We are young, we are precious

All our lives are ahead

You’ve opened my eyes to a world I

Didn’t know that was there

You touched my hand, and I knew

We had riches to share

(riches to share)

Chorus (John and Ruth)

We’re just trading in air

We’re just trading  in air

David

Cheers to Big Bang, cheers to Thatcher!

She’s kicked open the door

No more controls on commissions

Foreign banks! LIBOR!

A toast to our friends as computers

Hit the stock exchange floor.

(stock exchange floor)

Chorus (John, Ruth and David)

We’re just trading in air

We’re just trading in air

Interview samples:

“It struck me we were trading in fresh air…it was one of those moments when you think…this is madness!”

Scene 2: Partnerships

Narrator: The next morning sitting in his office, John is hungover. His mind is filled with images of the beautiful & brilliant woman he met last night. He’s trying to read a share recommendation by one of his brightest analysts, looking  into the financials of Sebvis Corporation.  The company recently won a lucrative government contract – a Public Private Partnership -  to build a hospital in Tower Hamlets. But it looks like they got the gig by underbidding with a price too low to deliver. Now the numbers are bad. And debts are piling up.

John: My head clears and my heart starts to race:  Sebvis stocks are overvalued, they surely have to tank. If I short Sebvis shares, drive their price down, Spring Tree will make a killing. 

Narrator: But maybe there’s a personal dilemma here. Sebvis company shares are sold exclusively by Wagner Bank. The Wagner broker is David.

John: Wagner Bank eh! David and I hit the stock exchange floor together as East End kids made good in the ‘80s. He was there when I first met Ruth. He was best man at our wedding for fuck’s sake!

Narrator: But John still signs a 14 day Contract For Difference. Betting that in 14 days, he’ll make a huge profit when the Sebvis shares fall.

 

14 Days (Song)

John

 The Spring Tree note sets the picture

Sebvis stocks will have to plunge

A company without a future

Easy prey for a hedge fund.

 

I guess I’m fighting David in a way

His reputation, bonus, down the drain

But markets pick who wins at the end of the day

It’s nothing personal David.

 

Of course Spring Tree will short Sebvis

Making a profit is my responsibility

I’m just doing my job, being realistic

Doing what any other fund manager would do in my position

Its nothing personal David.

 

The Spring Tree note sets the picture

Sebvis stocks will have to plunge

In 14 days I will be richer

The future’s bright, the game is won.

 

John: And if I make enough on the margin call, I could be a very rich man, the bonus would allow me to leave the industry for good. Maybe even lend my expertise to amazing Helen in her ethical investments company. Help someone nicer than me for a change.   

Narrator: It’s John against his old friend David. If Sebvis shares tank, John’s short trade pays off.  If Sebvis rallies, then David wins.

Scene 3: Playing the game

Narrator: As investors big and small look at Sebvis stocks, the price line starts to drop as news of the Spring Tree sell recommendation gets out. But then Reddit, social media, the financial bloggers take an interest. A hedge fund is trying to send a hospital builder to the wall! Overnight, its a hot topic.  Thousands of ordinary investors rally to teach the hedge fund a lesson by buying long on Sebvis.

Behind the scenes though, David, Wagner Bank, is seeding stories to social media, …

David: Doesn’t matter what people think, the Potential Earnings on Sebvis shares shows they’re undervalued!

Narrator:… gaming the share price, appealing to ordinary investors who just want a hospital a built…

David: You know that Spring Tree are just doing what hedge funds do…

Narrator: …want to prove a point about greedy hedge funds.  Over 14  days, Sebvis stock u-turns and rockets up 200%. Investors are unaware they are being manipulated by silent brokers like David, and everyone is being swept up in the chaos of the financial industry machine.

David:  You have to treat the finance world like a giant slot machine. You throw your money into the machine, pull the levers and hope no-one you know gets hurt!

 Hope No One I Know Gets Hurt (song)

David:

Its not going in the right direction 

Share price starting to tank 

Why believe the analysts note 

The truth in what John wrote? 

 

I hope no one I know gets hurt, 

I hope no one I know gets hurt 

It’s a deal 

There’ll be pain 

But I hope no one I know gets hurt 

 

You might say it’s crossing the line  

My duty to the market  

Seed the story in the press 

Claim the funds are creating stress 

 

“The Stock is good please trust me 

The analysis is poor 

If we all buy in we’ll win”

With emotion they’ll believe the spin 

 

I hope no one I know gets hurt, 

I hope no one I know gets hurt 

It’s a deal 

There’ll be pain 

But I hope no one I know gets hurt 

 

Social media is keen 

The chatter is hot 

It’s the hedge funds they’re crap 

They’re long overdue a slap 

 

John might be hitting the dirt 

But It’s a game 

Always the same 

 

News reader:  Extraordinary scenes in the markets today as construction company Sebvis shares trebled in value in response to activist investors buying up big. The value of Sebvis stock continue to skyrocket as ordinary investors try to thwart one of the UK’s largest hedge funds, Spring Tree Capital who have publicly shorted the stock.

Narrator: Both sides are now being played by forces bigger than themselves- by the financial industry machine, the game itself.  There’s all those Next Best Fools – those investors who just follow others for share purchasing, Passing the Parcel. Then the game can turn suddenly into Musical Chairs. When the music stops, you don’t want to be the person without a chair – standing there holding the stock that now no-one wants.

Scene 4: The price of love

Narrator: John is losing badly on the Sebvis short, but he could be losing more than money…

Ruth: John, I can’t stand this silence anymore.  Why won’t you talk to me? You’ve hardly been home the last two weeks.

John: It’s day 14 on the Sebvis CFD. It’s all over. I’m going to be forced to close my position, we’re massively exposed. Sebvis shares should be worth 30 pence, but now they’re worth 30 fucking quid!

Ruth: I’ve heard all this before. It’s one drama after another, one deal after another! It’s just another deal John.

John: No you don’t understand, Spring Tree is going to take a massive loss. We’re on the brink of bankruptcy now. I’ve really fucked it this time Ruth.  We’re financially ruined.

Ruth: I’ve heard your work angst for so many years, John. But you don’t listen to me anymore. Maybe it was only ever my looks that mattered most? Being a Richmond ‘yummy mummy’ for Charlotte and Oliver?

John: Don’t start, please..

Ruth: But now the kids have grown up, the loneliness and frustration is really catching up with me. 

John: All the things you love - the house, the shopping – they’ll all soon be gone!

 

Point Of Ruin -Trophy Wife (song)

Ruth:

John I’m dying inside

All my life I’ve had this other side

Self-expression left behind

That means nothing to you

I’m just a trophy wife

 

John: I’ve really fucked it this time Ruth.  We’re financially ruined.

Ruth:

I mean nothing to you

I mean nothing to you

I’m just a trophy wife

I mean nothing to you

I mean nothing to you

I’m just a trophy wife

 

John: Don’t start, please!

 You can’t be serious

 No, you don’t understand

 All the things you love, the house, the shopping

It could all soon be gone

All the things you love, the house, the shopping

It could all soon be gone

Could all soon be gone.

 Narrator: So fast, so very quickly, John has lost - and brought his company to the point of ruin.

Scene 5: Lost control

Narrator: But why does this industry generate such chaos? Is it just up to players who hock their imaginations to money, who are just ‘doing their jobs’? Or could it be that the machine itself has gotten out of control?

Before the Thatcher/ Reagan driven Big Bang of deregulation in the late ‘80s, there was another time and place. The time was 1944, the place was Bretton Woods, USA. World leaders gathered to vow no more Great Depressions, no more chaos, lets reign in financial institutions to serve the people. 

Bretton Woods (instrumental)

Interview sample (Professor Max Haiven):

It’s called post-Bretton Woods financialisation, basically after 1971-1973, the collapse of the Bretton Woods international system, the collapse of the gold standard, the American dollar backed by the gold standard and post like Thatcher/Big Bang…

 You can talk to anyone in the financial system and after one drink they’ll say, like, I’m just doing what I have to do…

 A system beyond any one person’s control.

Narrator: John is devastated. Everything he has worked towards all these years – his reputation, his increasing wealth, his status – all gone. So many people John knew in London’s finance industry – younger than him – had made their windfalls and got out of the game, early retirement at 35.  But not John – he was the fool still holding the dud stock when the music stopped. And now he could see no way out.

Scene 6: Failure

Narrator: All the voices in his head tell him he’s failed…

John’s Dad: Son, you’ll never win against the system, against the bankers and toffs. It’s their world not yours. 

I Can’t Fucking Stand Myself (song)

John:

I can’t fucking believe my stupidity

The market’s invisible hand

Down my trousers all my life

Every ambition I’ve had

Proving something to my Dad

Now I’ll struggle to get by

 

Where is the enemy?

Is it inside of me?

Or is it simply

The 1%?

 

I can’t fucking feel, it’s dead inside of me

Everything I had

I’ve blown it on that deal

And now there’s nothing left

Of the executive safety net

The fund’s crashed with me behind the wheel.

 

Where is the enemy

Is it the economy? 

Or does it belong to

The 1%?

David:  It’s a game, mate, you took it all too seriously.

Ruth: This isn’t what you promised me and the children John. We’re going to lose our house aren’t we?

 

Ruth will surely leave me

Helen speaks the truth

Maybe she’ll redeem me if I ask

 

I can’t fucking stand inner conflict anymore

Park my conscience at the door

On my way to work each day

All I made was money

Short-term profit’s all I’m worth

Will Helen take me anyway?

 

Make it all go away

Make me go away

Fuck it

Narrator:  But guess what? A week after John’s disaster, looks like that Spring Tree analyst’s note was right after all.

Scene 7: Success

News reader: Sebvis, one of the largest construction companies in the UK with 4 billion in govt contracts, announced today it is going into receivership, with over 300 million in unpaid debts. Sebvis hit the news last month when it was the target of an activist investor campaign which increased company share value by 200%, to the dismay of hedge funds that had shorted the company believing…(fade out)

Narrator: Sebvis really is in serious financial trouble, run to the ground by corrupt management and going down for good. There starts the real  trickle down effect – the effect of reckless corporate failure on hundreds of people not being paid, small suppliers, contract electricians, catering, cleaners, small businesses now unable to pay their own debts.

When the share price finally collapses altogether, Sebvis is insolvent. But David at Wagner Bank had already taken his bonus. The Sebvis directors had already cashed in their shares at the inflated price. The players and share revvers all got rid of their options to a hungry market before the company crashed.

They all make a lot of money. Although nothing of value happened in the ‘real world’, a hospital won’t be built in Tower Hamlets. Wagner and Sebvis execs all walked out from the wreckage with more than enough to buy a Hertfordshire country pile, a racehorse, a yacht.

David: That all worked out rather well in the end, thank Christ!  Hope John’s not taking it too hard, must drop him a line, no hard feelings, we knew what kind of industry we were getting into all those years ago...at least I think we did.

Getting Richer (song)

The markets:

Oh, what a dream

Inside the machine

Next Best Fools

Followed David’s pipers over the edge.

 

Chorus

He’s getting richer

He’s getting richer

Executive bonuses made from thin air

 

He pumped up the stocks

Then sold his shares off

A master of winning at musical chairs

 

Investment bank making money

Though no hospital is built

Corporate brass making honey

From a company they’ve killed.

 

Verse 2

Look on the ground

Debt trickles down

Jobs gone, homes too

Government shouldn’t interfere.

 

Chorus

He’s getting richer

He’s getting richer

Executive bonuses made from thin air

 

He pumped up the stocks

Then sold his shares off

A master of winning at musical chairs

 

Investment bank making money

Though no hospital is built

Corporate brass making honey

From a company they’ve killed.

 

And the people cry that it isn’t fair

But reality is laissez faire…faire…faire

Scene 8: Rescue

Ruth: Now the kids have grown up, the loneliness and frustration is really catching up with me. You can be pretty hard to read John, but this time I know there’s someone else. Who is this Helen woman who keeps calling you?

Ruth’s Song: Rescue

Chorus

Someone to rescue you

Is that why I’m losing you?

Someone to rescue you

 

It’s dark where you’ve been

It’s hard not to win

 

By yourself by the bedroom light

Still up though its way past two

You’re sending messages through the night

Who’s that calling you?

Why’s she getting through?

What’s she mean to you?

 

Chorus

Someone to rescue you

Is that why I’m losing you?

Someone to rescue you

 

It’s dark where you’ve been

(I tried to talk to you)

You’re bent over screens

(I never can get through)

 

You’ve fallen down inside yourself

You don’t even see me

But run our years back to front

Something’s driving you

What you’ve got to prove

I’m not enough for you

 

But surely someone now draws near

She’ll take you far away from here

My looks are gone, our children too

But someone will rescue you.

 

Narrator: John gets into his car and drives to Canary Wharf. He calls Helen.

I am, of course, Helen.

You see, we’d been meeting late at night over the last two weeks. I already knew what had happened to Sebvis and now the hospital public/private project. But I could tell by John’s voice that the big story he wanted to tell me tonight was about him.

In John’s office, over single malts, we both stared at the Canary Wharf skyline, with the Wagner Bank logo glowing in the distance.

John: Ruth is going to leave me. Why wouldn’t she? All the things she loves - the house, the shopping, the status - they’ll all soon be gone. But… I’m not sure I care.

Helen: I’m not so sure that’s all she loves, John. Maybe she actually loves you.

John: Helen, I need to tell you how amazing you are, how you make me feel…meeting you has felt like destiny…

Helen:  Stop there.  I know where this is headed.  Of course I find you attractive. And you have so much to offer and I don’t mean money and status.  But I’m not here to rescue you.

Scene 9: The future

Helen: What’s happened to your marriage?

 

The Future Is Love (Helen’s song)

You want to run

From what’s been revealed

You’ve lost the fight

But can’t bear to yield

Now you reach out

You draw me near

 

Chorus                         

But I must drive you away

You don't need what I've got to give anyway

The door is open, there’s wind in your hair

Look at the past, you have left her wanting there

But there is a future where love is everywhere.

 

The world needs to change

We haven’t much time

Behind every deal

There’s human kind

So many will beg

While a few of you steal

 

Chorus                         

But I must drive you away

You don't need what I've got to give anyway

The door is open, there’s wind in your hair

Look at the past, you have left her wanting there

But there is a future where love is everywhere.

 

No more sleepless nights

Stranded near her hands

No more building castles

On your shifting sands

 

Chorus

Their cries are fading away

The tide that swept in is now pulling away

The door is open, there’s wind in your hair

Look at the past, you have left her wanting there

Go back to her now and find love is everywhere.

Scene 10: The cleaner

Narrator/Helen: John’s phone rings and interrupts the spell. I glance down and can see the caller ID is David. John just stares at the screen, he seems paralysed.

‘You have to take this call.  You have to sort out your closest relationships. Your principles, your work, what do you believe in? What do you stand for? What’s more important – making money in anyway you can, or keeping hold of love and doing what you can to make the world a better place?’

At the end of the night, I walk to the lifts.  I see something that happens every night in every highrise in Canary Wharf. A woman, probably a local from impoverished Tower Hamlets, is vacuuming the offices and emptying the bins of the managers and executives. She is unaware of their middle class dramas and privileged dilemmas, unaware that a hospital won’t be built in her neighbourhood. Unaware of the economic trickle down effect promised by Thatcher and the redevelopment of the docklands all those years ago, the trickle down that one day was supposed to fill her neighbourhood with opportunity and prosperity.

Trading in Air instrumental reprise over cleaning sound FX – Canary Wharf station announcements fade out to

Coda: Solo punk guitar slowly playing God Save The Queen.

FINIS